Bitter with the Swede

    • About

  • “Andromeda Triumphant”

    Mixed Media
    2022
    48″ x 36″

    Another New Mythology piece, “Andromeda Triumphant” emerged as my vision of the Andromeda myth with a modern twist, weaving her tale of survival and transformation into my ongoing theme of technology’s uneasy clash with nature. Andromeda’s story—a young woman offered as a sacrifice to the monstrous consequences of human actions—felt fitting to explore in a world where humanity often attempts to overpower nature.

    In the painting, the vivid green serves as a symbol of nature’s resilience, creating a lush and unruly backdrop, a reminder that nature is both the setting and force behind Andromeda’s triumph. The splashes of blue, pink, yellow, and peach represent her tenacity and freedom, an uncontainable energy pushing through, like something organic fighting against containment.

    As I layered collage fragments of hands and faces into the swirling green, they became symbols of humanity’s influence—both its ingenuity and arrogance. These black-and-white, fragmented figures feel almost ghostly, as if watching the scene from a distance or from another time. They suggest those who once chose Andromeda’s fate, their faded presence a testament to the potential consequences of humanity’s reckless attempts to tame the wild. For me, these faces and hands aren’t only witnesses to Andromeda’s victory but silent reminders of the technology-driven world that can seem blind to nature’s force, or, worse, at odds with it.

    The painting’s chaotic energy, from the unruly splatters to the controlled placement of collage, reflects a world where humanity and nature stand in tension. Andromeda Triumphant is a vision of a victory that isn’t just personal but symbolic—a reminder that nature, like Andromeda, can endure and even thrive despite what’s inflicted upon it. The work captures a complex triumph, one marked by scars from the battle between technology and the organic world, and it challenges us to look closer, to consider our role in this ongoing struggle and the cost of attempting to conquer what is beyond us.

    March 9, 2025
    Art, history, life, philosophy, writing

  • Artist’s Statement

    Many people take comfort in matching their socks. I’m not that guy.

    I think the best way to describe what I do is controlled chaos. There is order but this may not be readily apparent to viewers. I use collage, paint and found objects to create canvases that evoke feelings of nostalgia, pain, humor, melancholia and joy. Often there is an element of social commentary but not always.

    I work quickly to tap into the subconscious as much as possible. So my work is a combination of intentional placement and subconscious meanings. I follow where the images and mood take me. Life is too short to play by the rules.

    March 9, 2025

  • Bio

    Michael John Bobak is a Philadelphia-based multi-disciplinary artist. He works primarily in Mixed Media with themes ranging from social commentary to kitsch. He also works in sound tapestries and the written word.

    March 9, 2025

  • Discography


    Magnus Mattias (Chilltronic)
    Take Back Your Peace – 2023


    Bo Byron Project (Funk and Electronic)
    Whatever You’re Doing, Don’t Stop – 2021

    Slumlord Byron (Funk)
    No albums, active in 2014-2015

    G3nGhI$ Pr@Wn/Icarus Whip (Experimental Electronic)

    Desert Planet (EP) -2005/rereleased in 2012
    I Can See Weirdly Now (EP) -2006/rereleased in 2012
    See? Food! -2007/rereleased in 2012
    See? Food Too! -2008/rereleased in 2012


    Temple of Tomorrow (Rock and Electronic mixed with other genres)

    Temple of Tomorrow -2015


    The Zealots (Psychedelic Funk Rock)

    The Zealots -1995


    Black Dahlia (Goth/Post Punk/Dark Psychedelia)

    Red Like Rome (EP -Demo)-1990
    House (EP)-1991
    Nomad -1992
    Black Dahlia -1993
    Kingdom of Glory/Face the Winter Single -1993


    

    This image has an empty alt attribute; its file name is img_0030.jpg

    Photo by Anthony Wendell 10/01/2022

    March 9, 2025

  • Magnus Mattias

    Here’s the link to my latest album, 2023’s ‘Take Back Your Peace’ by Magnus Mattias. It is electronic meditations on the sounds of nature. (The album link is below the player.)




    https://magnusmattias.bandcamp.com/album/take-back-your-peace

    March 9, 2025

  • Bo Byron Project

    This is a studio project that I did with Bird Williams. The album is titled ‘Whatever You’re Doing, Don’t Stop.’ Bird and I co-produced and co-wrote the songs and each of us sang and played various instruments on the album. It’s mostly funky electronic music, but there is a straight up funk song(Slow Down) and a tribute to Motown that’s just vocal and piano (I’ll Be Patient.)

    March 9, 2025

  • Slumlord Byron

    This is an 8 piece funk band that I fronted as Slumlord Byron. It was a real privilege to play with these uber talented musicians.

    Here is an original song recorded for Z19TV during band practice. It’s called Hardcore.

    March 9, 2025

  • Temple of Tomorrow – Eponymous


    This is Temple of Tomorrow, a project I did with Paul Edwards, the guitarist from Black Dahlia and The Zealots. Our eponymous album, Temple of Tomorrow is available on Apple Music and is a mixture of rock, electronic music and various other genres such as jazz, folk, reggae, hiphop, etc. Here are the music videos we made for a single, Jet Propelled, and some of the songs from the album.



    For the Jet Propelled video, the kid we hired had no experience, but he did a great job and was a lot of fun to work with. The DJ/Spaceboss was played by Paul’s son. The Time Machine and Robot costume were built by Paul and his son. (Names are left out because of their ages at the time and parental preference.)

    *

    Blue contains original spoken word by Camae Defstar of Moor Mother. She also rapped on another song from the album, Chameleon. Blue is also the only video that I appear in.

    *

    Children of the Sun is our spin on a great song by Aussie rocker, Billy Thorpe.

    *

    Space Lullaby is actually in a couple different modes and there is a key change in the 3rd verse. It just felt right.

    *

    Falling Through Time contains some groundbreaking effects courtesy of Paul. Like when the sky splinters apart about 1:35 into it. Kudos Paul!

    Here is the link to the whole album on Apple Music.
    itunes.apple.com/us/album/temple-…rrow/id956835595

    March 9, 2025
    Music, news, paul-mccartney, rock, the-beatles

  • G3nGhI$ Pr@Wn (now Icarus Whip)

    This is one of the names I used in my solo experimental electronic music period. I think I’ll just rerelease everything under Slumlord Byron at some point for simplicity sake.

    Here’s the backstory for G3nGhI$ Pr@Wn.

    From his meager beginnings as a lowly plankton, GeNGhi$ Pr@wN is now poised to cut a swath of musical destruction through the sea of electronica.




    Desert Planet (EP)

    My electronic music and sound recording professor in college, Paul Geissinger, was a successful electronic musician himself who went by Starkey. When he first heard the song, ‘Desert Planet he said, “I don’t know what time signature this is in, but it’s really cool!” Here is the Desert Planet EP. Besides the hauntingly offbeat, ‘Desert Planet,’ it also contains the psytrance tune, ‘I Believe,” a 1960’s girlgroup pop song put into a blender and played in a futuristic dance club called Chaos and Disorder and the avant garde, ‘Fighting Dirty.’


    I Can See Weirdly Now (EP)

    I took a speech by Ted Kennedy and rearranged words and syllables to make him say “Ronald Reagan is a man who has taken many forms over many years. Crocodiles, elephants, plants and trees.” From there it spiraled even more out of control in a very fun way. Thus, “Ronald Reagan Was a Shapeshifter” was born. Also on this album is “Hope Springs Infernal,” electronic metal with a synth solo instead of a guitar solo. Finally, appears “Dragons of Jupiter” which contains a dragons roar that I created by blending a roaring tiger, a squealing pig, a sneeze and an explosion. The music was inspired by the fight scene music from Star Trek: The Original Series and a calliope.

    See? Food!

    Then came my experimental electronic album where every song title is food related. The dischordant 8 bit catastrophe, “Bread and Circuses.” which has been described as being like an old computer connecting to the Internet. Then comes “Nacho Yeti Blunderbuss” which a friend described as “a hike through a nature reserve on mushrooms.” Song #3 is Romulan Ale, chill, atmospheric house music. Then ‘Water” which uses actual clips of splashing, sloshing, and pouring water along with a sonar sound. One of the beats of the composition is rhythmic waves. I don’t want to spoil all the surprises, though. There are 8 more tracks.

    See? Food Too!

    This album continues the food titles theme. “Yum Yum” so named because the synth sounds like a distorted voice repeating those words and with a sick beat that I’m particularly proud of. “Royal Jelly,” what I imagine a rock band composed of bees would sound like. The boisterous, “Rum Raisin’” and rollicking “Roast Beast.” The flatulent “Mud Pie.” The angelic/demonic “Fallen Angel Food Cake.” etc. This album is only available on soundcloud as of yet.

    March 9, 2025

  • Zealots


    My psychedelic funk rock band with Paul, the guitarist from Black Dahlia, Norman Carter and Jesse. We released one eponymous demo.

    March 9, 2025

Previous Page Next Page

Blog at WordPress.com.

 

Loading Comments...
 

    • Subscribe Subscribed
      • Bitter with the Swede
      • Already have a WordPress.com account? Log in now.
      • Bitter with the Swede
      • Subscribe Subscribed
      • Sign up
      • Log in
      • Report this content
      • View site in Reader
      • Manage subscriptions
      • Collapse this bar